KEIO UNIVERSITY

Graduate Seminar in Theatre Studies

Academic Career

2015	M.A. at Keio University
2018 –	Studies at Leipzig University with the research fellowship of German Academic Exchange Service (DAAD)

Position

2015 – 2016

Assistant of the Faculty of German Letters at the Keio University

Main Arears of Research
The Political, catastrophes, grief, spectres and landscape

Publications (in Japanese)

• 2015　»To make theatre politically: Jan Deck and Angelika Sieburg “Politisch Theater Machen: Neue Artikulationsformen des Politischen in den Darstellenden Künsten
  (Research Trends) «
  　in Quadrante (16) pp.291 – 293, Institute of Foreign Affairs, Tokyo University of Foreign Studies.
• 2016　»Fatzer as Event – Interruption in Bertolt Brecht’s “Fatzer”«
  　in Kenkyu Nempo (33) pp.10 – 38, Faculty of German Letters at the Keio University.
• 2016　»Possibility of Theatre of Grief – the performance analysis of Elfriede Jelinek / Chiten “No Light. (Kein Licht.)”«
  　in Kenkyu Nempo (33) pp.10 – 38, Faculty of German Letters at the Keio University.
• 2017　»The War of Landscapes – Spectral body in Heiner Müller‘s “The Mission (Der Auftrag)”«
  　in Hiyoshi-Studies for German Studies (56) pp. 107-136, Keio University.
• 2019　»The re-discovered landscape and its historicality – Heiner Müller’s “Mauser“«
  　in Kenkyu Nempo (36) pp.1 – 27, Faculty of German Letters at the Keio University.
• 2021　»The Landscape differing from here and now – Heiner Müller’s “The Hamlet machine” (Die Hamletmaschine)«
  　in “Re-question the Culture”
• 2021　»The Landscape as “empty middle” – Müller’s “Despoiled Shore Medea Material Landscape with Argonauts” (Verkommenes Ufer Medeamaterial Landschaft mit Argonauten)«
  　in Kenkyu Nempo (38) pp.1 – 28, Faculty of German Letters at the Keio University.

Conference Presentations

• 2015　»Stimme und Trauerarbeit. Am Beispiel von Chitens “Kein Licht.” «
  　 in the JSPS-Symposium (Un)vernehmbare Stimmen, Keio University
• 2016　»Die Geschichte beschreiben. Am Beispiel ›Nagasaki Aufführen‹ von Marebito-no-Kai«
  　 in DFG-Symposium Die Macht der Gefühle – Schauplätze des Fremden. Theater transkulturell und transmedial, Leipzig University.
• 2017　»Constitution of Testimony – the performing analysis of Milo Rau “Compassion. The History of the Machine Gun“«(in Japanese)
  　 in Annual Conference of Japanese Society for Theatre Research, Keio University.
• 2018　»The Landscape in the theatre – with the example of Heiner Müller«(in Japanese)
  　 in Annual Conference of Geibun Gakkai, Keio University.
• 2018　»Translation and Representation – the performing analysis of Gotscheff’s “The Persians”«(in Japanese)
  　 in Annual Conference of Japanese Society for Theatre Research, Kobe Shoin Women’s University.
• 2019　»Verfremdung und Landschaft nach der Katastrophe: »Fukushima Aufführen« von der Theatergruppe Marebito-no-Kai«(in German)
  　 in International Brecht Society 16th Symposium in University Leipzig